I B A S H
In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting.
I B A S H
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scandinaviancollectors:

The Black Iris by Georgia O’Keeffe, 1926. Oil on Canvas. © Georgia O’Keeffe Museum. / Pictify
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liquidnight:

Nara, Japan, 2 December, 1928
From Anonymous by Robert Flynn Johnson
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"What’s a bounty?"
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scandinaviancollectors:

Eames chairs photographed by Matthias Heiderich. / Flickr
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likeafieldmouse:

Sol Lewitt - Incomplete Open Cubes (sculptures & studies, 1974)
likeafieldmouse:

Sol Lewitt - Incomplete Open Cubes (sculptures & studies, 1974)
likeafieldmouse:

Sol Lewitt - Incomplete Open Cubes (sculptures & studies, 1974)
likeafieldmouse:

Sol Lewitt - Incomplete Open Cubes (sculptures & studies, 1974)
likeafieldmouse:

Sol Lewitt - Incomplete Open Cubes (sculptures & studies, 1974)
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"I wonder if the three of us would’ve been friends in real life. Not as brothers, but as people." The Darjeeling Limited (2007)

"I wonder if the three of us would’ve been friends in real life. Not as brothers, but as people." The Darjeeling Limited (2007)

"I wonder if the three of us would’ve been friends in real life. Not as brothers, but as people." The Darjeeling Limited (2007)
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cavetocanvas:

Michael Kenna, Quixote’s Giants, Study 5, Campo de Criptana, Spain, 1996
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fhwrdh:

(via Gian Paolo Valenti. Architecture D’Aujourd’Hui 102 Jun 1962: xvii)
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Doris Day on the set of Calamity Jane, 1953.

Doris Day on the set of Calamity Jane, 1953.

Doris Day on the set of Calamity Jane, 1953.